Fuck You I'm From Austin Film Talk

I'm dropping the "The" from The Zone of Interest , my only humble suggestion. Jonathan Glazer's film is about a real family living on the grounds of Auschwitz - we all know about it - Auschwitz concentration camp was a complex of over 40 concentration and extermination camps operated by Nazi Germany in occupied Poland during World War II and the Holocaust. Glazer's work takes a look at Rudolf Höss, his wife Hedwig and their children living a fairy tale type of life with the big dark shadow of Auschwitz always looming in the backdrop. The film is difficult to watch and was difficult to make. The director's choice to wire cameras hidden amidst plants and staged scenery creates a documentary feel to the piece and it works. In fact, the camera takes on it's own persona, something I'm mesmerized with in filmmaking. As when something magical happens and the 'film goddess' takes command as she will do. There is definitely another dimension added t...

and...it's a whole big bag of things you don't think you've seen before. You've become accustomed to formula, to Hollywood or whatever. Then something starts happening like splicing the soundtrack into the dialogue. Has somebody ever done that? I'm sure they have, but I can't recall. And I've seen a whole bunch of films. This one is The Killer on Netflix.     Adapted from the graphic novels by French writer Alexis Nolent a.k.a. Matz and illustrated by Luc Jacamon. Yeah, that soundtrack. (Trent Reznor/Atticus Ross) lots of Smiths and you become accustomed to Morrissey's singing and lyrics as part of Michael Fassbender's first person account of how to be a successful hit guy. Let me list some of the parts that make this an outstanding modern noir. Characters like they spilled over from the old Howard Hawks film The Big Sleep each one more delicious and full of crazy nuances than the previous - Tilda Swinton Sophie Charlotte Kerry O'Malley (a perso...